I usually only post finished items, but it would be a long wait for this blanket. I had the idea before we set off for Sweden last year, having read of Elsebeth Lavold's translations of Viking knotwork from standing stones. We saw plenty of those, although travelling and complex knitting do not mix for me.
Instead, I chose to use two knotwork designs from St*rmore's "Celtic Collection", from the sweater called "Cromarty". It is wonderfully ornate, looks great on the waif wearing it, but would make me look very squat indeed. As a set of knots , however, it's fairly straightforward. So then, the notion is to alternate these complex designs with strips of narrower, rope-like cables, either in natural aran or in pale terracotta. I am drawn to the latter because, in West Cumbria, there are to be found some Viking crosses covered in Celtic knotwork, the material of which is red sandstone. The cross at Gosforth is particularly famous as its slender shaft carries four different stories. I am hoping to create some kind of visual reference to these crosses in the cabling on the blanket.
At present, however, what I have are two seven inch strips of knotwork in pale duck-egg blue. Symmetry will almost certainly demand that I knit at least one of these again to create a matched pair. It's a work in progress, as I say.
Reading about Uk Ravelry Day on Jean's blog, I havered over pros and cons: Coventry is a two and a half hour's drive for me, but Meg Swansen and Jared Flood were to be there. Then, Jean directs me to go, and I buy my tickets without a second thought. How to explain that reasoning to others? I don't have tickets for Jared's sessions - already full - but only for Meg's big presentation. Now the question is, whether to book for the September I-Knit event with Alice St*rmore? What does Jean think?